I'm not really compelled to watch the ones from this list that we haven't
already seen, honestly.
> From: Noelle <noelle>
> Date: Sat, 12 Apr 2025 07:16:24 -0700 (PDT)
>
> Nanook of the North (1922): If you're going to teach a class
> about documentary film, you have to show at least part of this one.
> The filmmaker did things that would later be verboten, like stage
> some scenes, but nonetheless, this is considered to be the starting
> point for documentary films.
>
> Triumph of the Will (1935): In that documentary film class, you
> also have to show part of this one. The message is reprehensible, of
> course, but to tell the visual story she wanted to tell, Leni
> Riefenstahl created a toolkit that is used by documentary (and
> non-documentary) filmmakers to this day.
>
> Hearts and Minds (1974): This one is almost certainly the most
> brutal film on this list—you should not watch it if you are faint of
> heart. It's also one of the first attempts to come to grips with the
> Vietnam War, and set the stage for the brutal Vietnam War films
> (both fiction and non-fiction) that would come after. In particular,
> the folks who made Deer Hunter a few years later clearly watched
> this film many times.
>
> Koyaanisqatsi (1982): If you don't know the film, it's not easy
> to describe. Extremely abstract/surreal, it's probably as close as a
> person can come to an acid trip without taking acid.
>
> The Atomic Cafe (1982): The most powerful film ever made about
> nuclear war. Remarkably, it is 100% clips from other films; there
> was no original material (other than title cards) created for this
> documentary.
>
> Ken Burns' The Civil War (1990): It's showing its age a bit
> these days, but there has never been a better example of a
> documentarian who does a better job of having one foot in
> "accessible to a broad audience" and the other foot in "scholarly
> rigor."
>
> Hoop Dreams (1994): There are some who consider this
> fly-on-the-wall film about two high school players who hoped to play
> in the NBA to be the greatest documentary ever made. Those people
> might be right.
>
> The Fog of War (2003): Errol Morris is among the best
> documentarians ever, and this is his masterpiece. It's the story of
> the Vietnam War through the eyes of Secretary of Defense Robert
> McNamara, and it's very compelling. It also makes for a very good
> pairing with Hearts and Minds, showing how two films about the same
> subject can be very different, and yet... also very similar.
>
> Spellbound (2002): This film might reveal more about modern
> American culture than any other on this list. It's about the Scripps
> spelling bee, and the pressure placed on the child participants in
> that event.
>
> Bowling for Columbine (2002): You really can't explore
> documentary films without taking a look at the work of Michael
> Moore, and this is his best. That said, Sicko and Fahrenheit 9/11
> are also acceptable options.
>
> Super Size Me (2004): Like Moore, Morgan Spurlock is (well, was)
> a modern-day muckraker. You have to be impressed with a guy who
> brought the McDonalds Corporation to its knees, and essentially
> singlehandedly forced them to make big changes.
>
> Grizzly Man (2005): Werner Herzog is in competition with Errol
> Morris as the best living documentarian, and this is his magnum
> opus. Is the untrained bear "expert" Timothy Treadwell a nut case,
> or just a guy who was following his passion? Maybe both.
>
> An Inconvenient Truth (2006): Al Gore's global warming
> documentary is very well done, and was very, very impactful on the
> world at large.
>
> Planet Earth (2006): When people hear the word "documentary,"
> they are very likely to think "nature documentary." And of the many
> thousands of exemplars in the genre, none is better than this (now)
> 11-part BBC series. David Attenborough is a treasure.
>
> The Aristocrats (2005): A case study in how a relatively small
> thing (in this case, an off-color joke) can be turned into an
> examination of both a profession (comedians) and a culture (modern
> America). It hasn't aged as well as some of the others on this list,
> but it's still very impressive.
>
> We recognize that this list skews towards a few timeframes. Demand
> for documentaries tends to ebb and flow, and there have been a few
> "golden ages" for the form.