[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

Re: E-V.com list of best documentaries



I'm not really compelled to watch the ones from this list that we haven't already seen, honestly. > From: Noelle <noelle> > Date: Sat, 12 Apr 2025 07:16:24 -0700 (PDT) > > Nanook of the North (1922): If you're going to teach a class > about documentary film, you have to show at least part of this one. > The filmmaker did things that would later be verboten, like stage > some scenes, but nonetheless, this is considered to be the starting > point for documentary films. > > Triumph of the Will (1935): In that documentary film class, you > also have to show part of this one. The message is reprehensible, of > course, but to tell the visual story she wanted to tell, Leni > Riefenstahl created a toolkit that is used by documentary (and > non-documentary) filmmakers to this day. > > Hearts and Minds (1974): This one is almost certainly the most > brutal film on this list—you should not watch it if you are faint of > heart. It's also one of the first attempts to come to grips with the > Vietnam War, and set the stage for the brutal Vietnam War films > (both fiction and non-fiction) that would come after. In particular, > the folks who made Deer Hunter a few years later clearly watched > this film many times. > > Koyaanisqatsi (1982): If you don't know the film, it's not easy > to describe. Extremely abstract/surreal, it's probably as close as a > person can come to an acid trip without taking acid. > > The Atomic Cafe (1982): The most powerful film ever made about > nuclear war. Remarkably, it is 100% clips from other films; there > was no original material (other than title cards) created for this > documentary. > > Ken Burns' The Civil War (1990): It's showing its age a bit > these days, but there has never been a better example of a > documentarian who does a better job of having one foot in > "accessible to a broad audience" and the other foot in "scholarly > rigor." > > Hoop Dreams (1994): There are some who consider this > fly-on-the-wall film about two high school players who hoped to play > in the NBA to be the greatest documentary ever made. Those people > might be right. > > The Fog of War (2003): Errol Morris is among the best > documentarians ever, and this is his masterpiece. It's the story of > the Vietnam War through the eyes of Secretary of Defense Robert > McNamara, and it's very compelling. It also makes for a very good > pairing with Hearts and Minds, showing how two films about the same > subject can be very different, and yet... also very similar. > > Spellbound (2002): This film might reveal more about modern > American culture than any other on this list. It's about the Scripps > spelling bee, and the pressure placed on the child participants in > that event. > > Bowling for Columbine (2002): You really can't explore > documentary films without taking a look at the work of Michael > Moore, and this is his best. That said, Sicko and Fahrenheit 9/11 > are also acceptable options. > > Super Size Me (2004): Like Moore, Morgan Spurlock is (well, was) > a modern-day muckraker. You have to be impressed with a guy who > brought the McDonalds Corporation to its knees, and essentially > singlehandedly forced them to make big changes. > > Grizzly Man (2005): Werner Herzog is in competition with Errol > Morris as the best living documentarian, and this is his magnum > opus. Is the untrained bear "expert" Timothy Treadwell a nut case, > or just a guy who was following his passion? Maybe both. > > An Inconvenient Truth (2006): Al Gore's global warming > documentary is very well done, and was very, very impactful on the > world at large. > > Planet Earth (2006): When people hear the word "documentary," > they are very likely to think "nature documentary." And of the many > thousands of exemplars in the genre, none is better than this (now) > 11-part BBC series. David Attenborough is a treasure. > > The Aristocrats (2005): A case study in how a relatively small > thing (in this case, an off-color joke) can be turned into an > examination of both a profession (comedians) and a culture (modern > America). It hasn't aged as well as some of the others on this list, > but it's still very impressive. > > We recognize that this list skews towards a few timeframes. Demand > for documentaries tends to ebb and flow, and there have been a few > "golden ages" for the form.


Why do you want this page removed?